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慢行现代家居

Slow down, modern home

空間設計：水相設計/李智翔

設計團隊 : 林怡慧,郭瑞文

Timeless慢行

　　此棟位於淡水的名宅特色是一戶一泳池，遠眺觀音山淡水河出海口，在表現這樣池景河景甚至海景的住宅精神下，我們希望將淡水夕照下水面波光粼粼的印象延續至室內場景，因此空間中主要大面積呈現場域精神的地坪以義大利memento仿舊復古磚，手工不平整的仿石紋立體面造就其波光明淨的效果。作為一個渡假住宅，時間也是相當有魔力的，一切的行為與心境皆慢了，雖然同樣運行於一個時空，卻產生如時間膨脹的錯覺。

Located at Tamsui City overlooking the estuary of Tamsui River under Mount Guanyin and featuring a private home spa pool in each unit, this famous luxury residential tower manifests a housing concept comprising pool views, river views and sea views. To extend into the interior magnificent scenes of colorful water ripple reflections during Tamsui sunset, a creative design approach has been adopted with Italian Memento antiqued-effect porcelain tiles paved on the floor in great areas interpreting genus loci, a pervading spirit of the place, while handmade faux stone uneven finish echoes the ruffling tiny waves on water surface. With magical power exerted by time, all activities and moods in this vacation residence seem to be slowing down. Things though sharing the same space and time, illusion of time dilation appears.

　　基本上，我們希望這個場域的空間精神像是凍結住的慢行，只剩下前方的河水在流動，只留下頂上的太陽在游移。因此空間中利用中性的色彩，如米色系的皮革主牆、米灰色的地坪、淺棕綠色系的花崗石背牆與米白洞石主牆等大地色系，讓空間畫面傳遞平和穩定的情緒，而這些材質的共通性強調紋理的觸感與溫度，樸實無華透過材質傳遞永恆的時間性，也一如蒙德里安只採用原色，色彩的功能不在於裝飾，而是輔助空間的界線。

A distinctive atmosphere of frozen timelessness in the place is what we aspire to catch with the flowing river in front and the passing sun overhead left as the only moving things. Neutral colors and earth tones, such as beige in the leather main wall, beige grey in floorings, light brown green granite back wall and off-white in travertine main wall have been used to convey moods of placidity and steadiness of the space, while the shared feel and warmth of these grained materials as well as the perpetualness communicated by their being simple and unadorned respond to Piet Mondrian’s usage of primary colors. Colors help set boundaries to a space rather than decorate it.

　　在表現形式上，以荷蘭風格派運動（De Stijl），主張純抽象和純樸，外形上縮減到幾何形狀，捨棄曲線或自然的形體造型。透過精準的平面、直線、矩形來達到設計上的視覺平衡。就如客廳背牆的構成靈感便是來自蒙德里安的畫作，並屏除了顏色與線條粗細，讓非對稱性能夠創造律動感，在構圖中創造平等，動力平衡。包括玄關入口的鞋櫃以構成主義捨棄大面積的量體，以組構和結合分離四座櫃體，將光有情緒節奏的導入空間中央。順應光的方向也導出空間佈局的節奏，我們希望在相對於開放河景的封閉室內，能產生一種各面向都向外界開啟的狀態，能延伸至周圍無限空間的效果。因此所有的行為模式基本都是面向淡水河，包括下廚烹飪以及運動健身: 所有走道的尺度都是放寬的，空間的動線都是環繞循環，沒有靠在牆的家具阻礙空間的流動脈絡，包括沙發、中島廚房甚至健身房都能在各面向角度觀看不受限制。

Pattern of manifestation is based on De Stijl, or Dutch neoplasticism: pure abstraction and simplicity with appearances reduced to essentials of forms but ignoring curves and natural forms while visual balance is attained via precise manipulation of planes, lines and rectangles. Inspired by works of Piet Mondrian and eliminating colorfulness, the design of back wall in living room creates rhythmicity with asymmetry bringing equalitarianism and dynamic equilibrium into the picture. Constructivism has been employed in shoe cabinet design near the entrance. Instead of building one bulky cabinet, it is deconstructed and reorganized into four separate cabinets allowing light with rhythmic feelings to come in between introducing the space layout. In contrast to the open river view, interior of the apartment is a comparatively closed space and an approach has been attempted to create outward oriented openness in all directions producing an effect of extending to infinity. Hence, all activities, including cooking and exercising, have been guided to be conducted facing the Tamsui River. Broadened passageways and free-standing furniture, including sofa, kitchen islands and exercising equipment, ensure continuous traffic flow without blocked views in any direction.